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Scc an cxactly similar cx- A Green dating chantal bilodeau description of the river Moselle, which Julius Scaliger con- sidered by itself sufficient to entitle Ausonius to the name of a great poet. The fondness of Constantine and the succeeding emperors for the city of Treves, on the banks of that river, probably led the court-poet to immortalise it in verse. The occasion of the poem was the triumphal entry, along the Moselle into Treves, made by the emperor Valentinian statesmen of the Belgae and Aquitani a higher appreciation of their merits Factura nocentem, i. Constantine the Great, Facit ira nocentem is a needless though in particular, often held his court there. We might perhaps havc Phrygiis.

This week on HowlRound, we continue our exploration of Theatre in the Age of Climate Change with more urgency than ever. With the looming eradication of climate science data from US government websites and the appointment of Scott Pruitt as head of the Environmental Protection Agency, Trump has indicated in no uncertain terms that the health of the planet and its inhabitants are of no concern to him. As theatre artists, how do we respond? NYU professor Una Chaudhuri writes about a group of theatre makers and educators who have committed to looking at the world through a climate lens in the hope of acquiring new wisdom. Trump Nation, however, only intensifies our post-national impulse; its real source, dating from well before the last election, is the fact that the most pressing political issue of our times crosses all national boundaries. The accelerating symptoms of ecological devastation and climate chaos are global, planetary—post-national. How can we evolve a 'climate dramaturgy' which goes beyond addressing the symptoms of climate chaos and instead begins to forge the new imaginations we will need in order to confront the long-term, unpredictable effects of those symptoms on our lives?

I was provided a copy of this anthology by Playwrights Canada Press in exchange of a free and honest review. The introduction by Rebecca Burton gives insight into how she picked the plays and on the background of the authors. Selected plays are intended to appeal to a variety of readers and variety of tastes as they range in genres from satire and comedy to absurdist and dystopian and encompass an array of topics from coming of age, love, relationships, race, gender norms, and death. Every read is bound to find something to their taste. I have never had a pleasure of reading anything so diverse in genre and style.

Edited by Judith G. Miller pp. Ann Arbor: University of Michigan Press. Each of the seven plays presented is preceded by a brief introduction by Judith G.